Hammerklavier – concert only

Date and Time
Sun 20 Nov, 3.30pm
Tickets
Adult $40 / Student $20
Venue
The Lab (63 Light Square, Adelaide)
Duration
1 hour (no interval)

This concert is also available as part of a special lunch package offering for $170 per person - make a day of it, and include a sumptuous lunch at Aurora Restaurant before the concert. 

In the span of recent seasons, the imaginative and versatile Finnish virtuoso Paavali Jumppanen has established himself as a dynamic musician of seemingly unlimited capability who has already cut a wide swath internationally as an orchestral and recital soloist, recording artist, artistic director, and frequent performer of contemporary and avant-garde music.

Mr. Jumppanen has performed extensively in the United States, Europe, Japan, China, and Australia and collaborated with great conductors including David Robertson, Sakari Oramo, Susanna Mälkki, Esa-Pekka Salonen, and Jaap van Zweden. He has commissioned numerous works and collaborated with the composers Boulez, Murail, Dutilleux, and Penderecki. The Boston Globe praised the “overflowing energy of his musicianship” and The New York Times cited his “power and an extraordinary range of colors.”

In the recent years Paavali Jumppanen has dedicated much of his time to performing cycles of the complete Beethoven and Mozart piano sonatas. He has frequently performed all of Beethoven’s piano concertos and chamber sonatas. He attended the Sibelius Academy in Helsinki and later worked with Krystian Zimerman at the Basel Music Academy in Switzerland where he also studied organ, fortepiano, and clavichord. Russian born pianist Konstantin Bogino has remained an important mentor throughout his career.

Mr. Jumppanen’s expanding discography includes “the best recorded disc of Boulez’s piano music so far” (the Guardian writing about the three sonatas recorded on a DGG disc made at the composer’s request) and the complete Beethoven Piano Sonatas on Ondine.  He spent the 2011–12 season as a visiting scholar in Harvard University’s Music Department studying musicology and theory to deepen his immersion in Viennese 18th century music.

Follow Paavali’s blog at www.paavalijumppanen.com

In the span of recent seasons, the imaginative and versatile Finnish virtuoso Paavali Jumppanen has established himself as a dynamic musician of seemingly unlimited capability who has already cut a wide swath internationally as an orchestral and recital soloist, recording artist, artistic director, and frequent performer of contemporary and avant-garde music.

Mr. Jumppanen has performed extensively in the United States, Europe, Japan, China, and Australia and collaborated with great conductors including David Robertson, Sakari Oramo, Susanna Mälkki, Esa-Pekka Salonen, and Jaap van Zweden. He has commissioned numerous works and collaborated with the composers Boulez, Murail, Dutilleux, and Penderecki. The Boston Globe praised the “overflowing energy of his musicianship” and The New York Times cited his “power and an extraordinary range of colors.”

In the recent years Paavali Jumppanen has dedicated much of his time to performing cycles of the complete Beethoven and Mozart piano sonatas. He has frequently performed all of Beethoven’s piano concertos and chamber sonatas. He attended the Sibelius Academy in Helsinki and later worked with Krystian Zimerman at the Basel Music Academy in Switzerland where he also studied organ, fortepiano, and clavichord. Russian born pianist Konstantin Bogino has remained an important mentor throughout his career.

Mr. Jumppanen’s expanding discography includes “the best recorded disc of Boulez’s piano music so far” (the Guardian writing about the three sonatas recorded on a DGG disc made at the composer’s request) and the complete Beethoven Piano Sonatas on Ondine.  He spent the 2011–12 season as a visiting scholar in Harvard University’s Music Department studying musicology and theory to deepen his immersion in Viennese 18th century music.

Follow Paavali’s blog at www.paavalijumppanen.com

Artists

Paavali Jumppanen

Program

MOZART
Sonata in F Major, K. 280 

BEETHOVEN
Sonata in B-flat Major, Op. 106 “Hammerklavier”